𝗷𝗼𝗵𝗻 𝗺𝘂𝗿𝗽𝗵𝘆 (
reproached) wrote in
meadowlarklogs2020-06-20 01:25 am
burn a hole in the old grip of the familiar.
WHO: John Murphy & whoever
WHERE: Clarke Griffin's apartment
WHEN: After his release from the safehouse
WHAT: Murphy adapts to his new environment.
NOTES OR WARNINGS: He is awful.
WHERE: Clarke Griffin's apartment
WHEN: After his release from the safehouse
WHAT: Murphy adapts to his new environment.
NOTES OR WARNINGS: He is awful.
arrival ( for bellamy )
[ Four days could not pass fast enough, despite Murphy's most valiant attempts to smear them into a liquored blur, but today is finally the day he's allowed to stumble back into the city.hanging out ( open )
He hadn't intended to take Clarke up on her offer to provide him a temporary roof over his head. The safest place to be is usually wherever Clarke isn't. The uneventfulness of his imprisonment in the hatch, though, has eased Murphy's paranoia somewhat. (After all, wouldn't that have been the perfect place to drain his bone marrow or install a new mind in his head?) And Bellamy, in spite of the abuse Murphy had thrown at him, remained by his side almost the entire time. That had to count for something.
So, rather than making a break for it as soon as they're outside, Murphy lets him lead the way. Just as it had been throughout their time down below, Murphy hardly says a word of consequence. If he's ever going to talk about anything, it won't be out in the open like this. ]
[ Clarke was right about one thing: Murphy loves comfort. And this world is all kinds of comfortable he hasn't experienced before, in nameless little ways. Flooring is smoother, fabric is softer, everything is absurdly glossy and the indoor temperature manages to never be too warm or too cool.
Murphy spends a lot of time touching things, picking them up and examining them, putting them back down. He tastes every unfamiliar food he can find in the apartment. He takes long, environmentally-unfriendly hot showers, singing at the top of his lungs the whole time. And he naps everywhere a person could conceivably nap, from the kitchen table to the middle of the floor. It's as if Clarke picked up a very large stray cat and took him home. ]

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She returns late in the evening. Not late enough that Red Wings is closed, but closer to midnight than even she'd like. She has several totes of leftover food that she shoves into the fridge. Things that people didn't want. Orders that never got picked up.
Clarke spots Murphy out of the corner of her eye at the same time. Her eyebrows raise as she looks at him.]
How are you feeling now?
[There is, quite notably, no frustration or impatience to what she asks. Bellamy made it clear: Murphy was afraid. He had good reason to be. She had been on her first day here, and the only reason she didn't run is because a man named Stephen Strange guilted her into returning. He couldn't use his hands to be the medic the Displaced (at the time, not yet named that) would need.
And now it's present day.
Before she had headed out for work that day, she had taken care to arrange her room for Bellamy and Murphy to take over. While there's still a clothing line and pins on the wall, all the sketches that were originally in those slots were taken down and returned to her sketchbook. She has a small collection of clothes now piled in a corner in the living room next to the couch, along with her pillows and blanket.]
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He'd been staring out the window when she arrived, but now he stalks over to the fridge like he's curious to see what food she's brought back today. ]
They really just throw all this away, huh.
[ He plucks up a container and opens it to examine its contents - certainly not to avoid eye contact with Clarke. ]
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At Red Wings, the Displaced are always naturally just trying to get by. Plus, having grown up in a world dependent on rations makes her even less likely to toss something. She's not a fan.]
This world is surprisingly wasteful, for all that they've had to give up large chunks of it.
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I guess this means I'll never have a chance to cook for you.
[ Not especially hungry just yet, he replaces the container in the refrigerator and slouches back up against the counter, finally facing Clarke for real. He's supposed to still be angry with her, or at least play at it, but he can't summon the will. ]
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Clarke has a big heart and cares a lot. On the flipside, Clarke's heart doesn't always extend to succeeding at empathy. It's a different skill set.]
Actually, I have a proposal for you. [It is a matter of keeping him close, but not for any underhanded reasons. (But then: that's where the struggle with that empathy comes in. It's the way that a good intention can come with some cunning, sometimes dressing it up another way.)] Business is booming and we need a cook. Ergo ... [She motions toward the fridge, right before taking a spot on the counter opposite him.] You may have a chance after all.
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You set that trap and I walked right into it.
[ Though, if anything, he sounds kind of flattered to be asked. It's a rare day when anyone recognizes Murphy's talents outside of causing trouble. ]
Why not. If I'm stuck here forever, I might as well enjoy it, right?
[ That seems to be the mindset she's hoping to get him into, anyway. ]
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He steps through the door, waiting for Murphy to follow.]
Home sweet home.
[It only sounds a little sarcastic.]
There's not much room, so Clarke's taking the couch and we're taking her bed.
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You've been staying here this whole time?
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[It is nice in a way that still pulls Bellamy up short sometimes. It's a far cry from his family's cramped, rundown quarters on the Ark, and far better than anything they've ever had on the ground.]
If you need anything, we can get it for you.
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Let's start with a gun.
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I should've known you'd pick the one thing I can't get you easily. Weapons are illegal in the city. It's all black market stuff.
[Which isn't a "no", but it's not like they can run down to the corner store.]
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[ That's sarcasm. ]
Just point me in the right direction and I'll take care of it.
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here we go again
That gives her the right to interrogate him, especially after he tries to catastrophically damage her relationship with Bellamy. She can still feel his pain reflected back onto her: the grief, the understanding that he lost someone close to him (Monty) and would have to one day see a sister he barely recognized (no need to clarify who that is). And it fell on her.
Clarke debates adding more to her question, but chooses not to for now. Instead, she crosses her arms and positions herself so that she can block any path he tries to take out of the apartment. Needless to say, she's not in the mood.]
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You don't think he deserved to know?
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Are you that worried about Bellamy trusting me?
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You seriously need to ask? Yeah, I thought he could use a little more information before deciding he owed you his life, considering how easy it was for you to throw it away. Now he can figure it out for himself.
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But then the words arrive:] I owe him my life, Murphy. There's a lot you don't know yet about Sanctum, but that murder you congratulated me for? It was a lot less ... [What's the right word for the death of a person who had lived eight lives?] ... bloody than what we're used to, and Bellamy's the one who made sure I got out alive. I don't want to hurt him ever again.
[She means it. There was something to having Bellamy there, desperate to save her after everything. Clarke owes it all to him. He didn't give up. He got the message and he fought for her, even at the risk of so many things.]
I don't expect you to take me at my word, [she adds.] But you'll see.
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Yeah, I'll see. I would love for you to prove that to me, Clarke. The last thing he needs is to get dragged into your bullshit again.
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Hanging Out
He isn't sure who he expects to see when he walks in, but he doesn't recognize Murphy. He has to be a friend of one of the others to be there, so Quentin closes the door, about to greet him with a little more warmth than he's been capable of lately. The misery and sorrow still hangs over him, but it's lighter with his touchstone nearby.]
Hey-- wait don't touch that.
[The important object in question is an old crucifix he took out of the ruins, and if Murphy actually puts a finger on it, it will immediately start to glow and resonate like it does for all Displaced.]
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Shit.
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[Quentin hurries over to pick up the crucifix, the steady glow of it remaining in his hand. He moves over to put it into his small bag which he forgot to store it in earlier. Sometimes he just takes it out and tries to think through the ways it can be used. Or if it's the answer to something.]
We got these in the ruins. They didn't glow until a few weeks later and only for people like us.
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[ It is super creepy. But it doesn't seem to have had any effect, so Murphy relaxes a little. He'll be keeping his hands to himself for a while. ]
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[Quentin echoes Murphy's thoughts if not his words. He likes creepy things though, that's the problem. Anything supernatural just makes him feel like he's on the hunt for answers. It's better than the numb grief he's been living with instead. He's curious about the mysteries again.]
But I'm used to creepy things that may or may not be magic, so.
[He shrugs.]
Hi, I'm Quentin. You're Murphy, right? Clarke and Bellamy's friend?
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That's mine.
[ He says, when he sees Murphy lifting one of the objects in the common area. A book. Rare here, if he hasn't discovered that. ]
I stole it.
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At being called out, though, he flinches in surprise and hastily sets the book back where he found it. He isn't trying to steal it. ]
From where?